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Autechre – Chiastic Slide (1997)

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With a discography as sonically diverse as Autechre’s, you can easily find some forsaken soul to declare each recording an outlier. If you want to apply that to Chiastic Slide, then you should zero in on its ‘dirty’, heavily sample and noise driven soundscapes. Compared to the cleaner sounds of the albums before and after it, Chiastic Slide is a sonic anomaly for sure (even if the accompanying Envane EP shares its auditory patina), but the actual songwriting on here is roughly comparable, hitting a good midpoint between the nominally accessible Tri Repetae and nominally more difficult LP5. In the end, it got socketed into the discography, but not without a lot of spirited fan discussion about what role about what sort of role going full Chiastic Slide had in Autechre’s discography.

The funny thing about Chiastic Slide is that it actually isn’t all that chiastic – i.e there is not much on this album that is truly symmetrical. The song structures, for instance, tend more towards evolution than repetition. In fact, this album’s songs showcase some of the most striking and abrupt transitions of Autechre’s discography, at least in this relatively early stage. After all, it starts off with “Cipater”, which for all purposes fades in an entirely new song over its initial set of musical ideas. Some of the tracks admittedly develop more organically, but at the very least, beginning with the abrupt mood shifts and thunks is a major departure from before.

Autechre has never been a heavy band, at least by the standards of modern death metal, but the overall more abrasive, nastier sounds on here have in themselves been a major draw for me. As mentioned, “Cipater” has its thunks, and is followed up with straight up static noise (“Rettic Ac”). The more overtly sampled soundscapes here are suited to this; even if Autechre has done much with distorted and chopped up samples in their lifetime, it’s rare that they push the idea so far. This noisy aesthetic even leaks into the calmer and more soothing tracks – “Pule” in particular never reaches any explosive peaks, but its ever growing moans and creaks under the surface make for the sort of vivid synesthetic imagery that Autechre channels at their peak. In general, this sort of contrast makes for interesting tracks; I am definitely a fan.

In the end, I’m not sure if I would put the entirety of Chiastic Slide on a pedestal. The main problem is that some of the tracks in the middle drag on without much payoff. However, when this album excels, it reaches high peaks, and those should more than pay the cost of admission.

Highlights: “Cipater”, “Cichli”, “Pule”, “Nuane”