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Averse Sefira – Tetragrammatical Astygmata (2005)

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You know, Texas is an absolutely fascinating state. I might be biased because I lived in Round Rock for two years when I was a child, but it never ceases to amaze me that the little nation that once could has overcome inept governance and a cavalcade of dangerous microclimes to become one of our country’s leading exporters of black metal. Tetragrammatical Astygmata is interesting because it’s an especially chaotic and dissonant contribution to the genre that’s also surprisingly accessible and hooky. Is that my musical preferences expressing themselves again? Probably. Don’t be surprised if the rest of this review reflects my biases as well.

While the more dissonant chunks of black metal raise a lot of questions about where metal subgenres begin and end, Averse Sefira’s musical languages shares enough of the rest of its surface (high pitched vocals, less emphasis on percussive variation, etc.) to otherwise fall into blackened realms for marketing purposes. Two things make this band click – their songs have a preponderance of individual riffs organized into varied structures, and the whole chaotic/dissonant angle is used to reinforce coherence and expand their musical language. These ideas are integrated effectively enough that I actually had to sit down and give these tracks a deep listen in order to figure out just how they were pushing the envelope. Averse Sefira obviously isn’t the first to play with these ideas, even within black metal, but I always appreciate a band that can pull it off.

A lot of Tetragrammatical Astygmata‘s musical elements, in fact, are like this – an accessible facade with turmoil under the surface. Even this isn’t all that novel, although you’re still more likely to find music with little more to its name than surface noise or deep lore. For instance, the production is at the liminal point where raw aggression gives way to studio polish, with a clear mix allowing listeners to appreciate every nuance of the instrumental work without detracting from its overall extremity. The vocals and lyrics are also worth a note – the actual words spoken are sparse, abstract, well spaced, almost slam poetry. Still, they’re delivered with enough conviction (…if maybe not that much diction) that you’d actually want to look at the lyrics and analyze them, at least if you’re particularly into the lyrical/ideological aspects of metal albums.

Those of you who’ve been reading along for the last few years and whom are also familiar with this album are probably silently nodding. I can sense it – you probably saw the cover art and thought something along the lines of, “That’s something our author would definitely enjoy”. Averse Sefira isn’t all that well known as of 2017 (although they presumably had some moments of relative fame), but if I’ve done something to popularize them by writing about their work, then surely something good has come of today, right?

Highlights: “Detonation”, “Helix in Audience”, “Mana Anima”