Ample Destruction is one of the first salvos in what later became the US “power metal” scene. You can a big chunk of the musical language that many a future power metal band would exploit strewn through its tracks (which isn’t to say that Jag Pazner invented these ideas). Compared to many of those future acts, but also many of its predecessors, this recording is rougher, more aggressive, and generally hostile. It also launched the career of Harry Conklin, who went on to perform in his share of power metal inflected acts and ushered in a age of ambiguous extremity for various incarnations of his other band (Satan’s Host).
For better or worse, I’ve heard many a raging metalhead compare Ample Destruction to Metallica, of all bands. There’s more to this than you might expect, and a comparison to that band’s debut (Kill ’em All) can be surprisingly helpful. Jag Panzer doesn’t emphasize speed or long-form songwriting nearly as much as Metallica did in their earliest days, but they both share a common lineage (souped up NWOBHM), and it shows in the rough but well-amped production each album shares. Harry Conklin’s mixture of piercing screams and powerful midrange, though, ensure that this is a vocal driven album. His vocal technique is rougher than it would be, but his ability to handle both registers, while not uncommon, is still impressive.
Ultimately, this is a pretty basic take on the whole “power metal” concept. To be fair, it was 1983, and Jag Panzer’s work here is a far cry from the extreme simplicity of the deepest and sickest extreme metal of the time, but this is best understood as an amped up and occasionally sped up version of contemporary popular metal. Its compact songs and good production make for a consistent and solid album, if not one that’s especially amazing. The worst thing I can say about this album is that it’s been done better by a thousand other bands… in fact, Jag Panzer themselves got better at their craft after they reformed in the ’90s. Ample Destruction still has enough charisma beyond its historical value to justify a space in your record collection, probably by virtue of matching/exceeding the traditional recordings on songwriting chops. You’re likely getting a more nutritious and balanced audiomeal out of this than a Motley Crue or Dokken record, anyways.
Some albums are more conducive to my style of writing than others. I did fairly recently ‘accidentally’ open a copy of this album’s cover art in Microsoft 3D Builder, though, and I learned that I could get a really crappy heightmap 3D printed and sent to me for only 500 dollars or so. That’s interesting, right?
Highlights: “Harder Than Steel”, “Generally Hostile”, “Eyes of the Night”