Merciless – The Awakening (1990)
I suppose we have Mayhem to blame for this one. Deathlike Silence Productions only released a few albums in its lifetime, but their releases tended towards the influential and musically successful, so that has to count for something, right? Interesting, then, that the label’s first release was this mile a minute death-thrash-black-ambiguous brief blast of extremity. It’s not clear which pile this one fits in – the subtle use of consonant melody and fast yet deemphasized production summon forth the “1.5th wave black metal” buzzword demons, but Merciless almost certainly osmosed (pun possibly intended?) the nascent death metal of their native Sweden as well. The end result is kind of like the spiritual successor to Reign in Blood.
In contrast to some of the albums I’ve been writing about recently, The Awakening‘s recipe is simple – compact, aggressive songs with writing that’s basic, but not so rudimentary as to be uninteresting. The band doesn’t exactly deviate from this, but The Awakening clocks in at an infinitesimal 27 minutes, so there isn’t really much need for divergence. Luckily, the songs here vary enough in overall structure (even though they share an aesthetic) to keep your interest. I feel like I say that a lot when discussing this sort of album, but in my defense, music that falls below my complexity preferences doesn’t tend to get featured much on Invisible Blog. There should be plenty of it on the radio if you’re into that sort of thing.
Snark aside, what distinguishes The Awakening from many of the earlier extreme metal albums of the 1980s is its level of polish. This is hardly unprecedented – Merciless may be performing similar types of songs to their predecessors, but the recordings are still faster and more precisely performed than much of what followed. It’s not a push towards a more technically accomplished style, though. I’d go as far as to say that a lot of the early proto-underground acts would’ve put out similar recordings if they’d been given extra budget and studio time while continuing to write and perform in their previous style. Off the top of my head, I can’t really think of many recordings that are like this, since a lot of the more prominent extreme metal bands of the mid-80s (like Celtic Frost, Sepultura, Sodom, Bathory, etc.) changed up their styles significantly when they secured access to recording studios. Perhaps the record label circumstances had something to do with Merciless ending up conceptually rawer?
Dwelling on how Merciless made The Awakening may be a futile gesture were I not to go interview and document hunting. On the other hand, The Awakening is a compelling enough document on its own, at least for fans of this substyle. Plus, it basically has Euronymous’s stamp of approval on it, so that has to count for something, right?
Highlights: “Pure Hate”, “Dreadful Fate”, “Denied Birth”