Devin Townsend – Transcendence (2016)
This review is only for Transcendence proper. I might give Holding Patterns a feature of its own someday, though.
Devin Townsend is, as previously established, a musician of many styles. Transcendence isn’t without precedent, but its approach is markedly different from anything else of his that I’ve covered on Invisible Blog. My writing on this subject has mostly focused on his more aggressive material (with a few diversions into other stuff, like the straight up pop-metal of Sky Blue). Transcendence, though, is generally pretty laid back and chill, at least by comparison. Buzzwords of choice aside, Devin’s latest isn’t entirely free of intense moments, but the more interesting dichotomy here isn’t quiet vs loud, but instead how it walks a thin line between Sky Blue style pop and extended progressive rock style compositions.
The closest analogy you could make without heading out of Devyspace is that Transcendence develops some of the ideas we saw on Devin’s early solo albums, up to about 2001’s Terria or so. This album even starts with a remake of “Truth”; while it hews fairly close to the original, this new arrangement is slower, cleaner, arguably less chaotic than the initial 1998 version. Make no mistake of it – even though the amount of layered instruments is similar to your average DT album, the production style threw off my initial appraisal.
The other major gimmick on this album is that it contains significantly more songwriting collaboration from other members of the Devin Townsend Project. Devin remains the lead songwriter, though, so nothing here sounds completely alien. Maybe if his compositional range was narrower, this would pass with more commentary. Between that and the prog-styled songwriting, though, even the obviously pop structured songs seem to go through more distinct sections and otherwise unexpected transitions than usual. Other than that, I can’t say that this has as significant an effect on the songwriting as I was initially expecting, and that Devin most likely still plays the leading role. Guess we don’t have to worry about strange coups in Vancouver.
I digress – yet again this is an album I accept without second thought because it’s by Devin Townsend, and it isn’t completely outside the realm of what I expected. Transcendence has all the amenities you’d expect from his recent work – multiple styles of songwriting (sometimes even within the same song), quality vox from Anneke van Giersbergen, and a high level of instrumental to go alongside everything else. Sometimes, more of the same-but-slightly-different is a good thing.
Highlights: “Secret Sciences”, “Higher”, “Transcendence”, “Offer Your Light”